Roy orbison black and white night rare4/28/2023 ![]() ![]() Thus, in Black and White Night, normative and non-normative masculinities are thoroughly imbricated, each simultaneously destabilising and reaffirming the other. At the same time, however, I propose that even as normative masculinity appears to be destabilised, a close reading of the film reveals that the performance situates Orbison within a different masculinist discourse: the 19th-century Romantic discourse of masculine genius that continues to inflect 21st century notions about artists and art music. Focusing on the 1987 concert film, Roy Orbison and Friends: A Black and White Night, I argue that Orbison's staid performance style, unusual voice and unconventional songwriting as evidenced (and amplified) by that film trouble the purportedly monolithic rock and roll masculinity, and the concomitant mythology of rebellion. In this article, I look to Roy Orbison - a musician who was a key figure in the genesis of rock and roll, but who nevertheless subverts this phallocentric meta-narrative. This CD/BLU-RAY package presents the International superstar Roy Orbison in the midst of a remarkable comeback after several years out of the limelight. are included in the packaging as well as a treasure trove of bonus content. Liner notes written by son Roy Orbison Jr. ![]() ![]() Re-edited by Roy's youngest son Alex Orbison, the program has been restored to reflect the correct set order as the audience who attended the show saw it. to remind the audience of prowess, control' (Frith and McRobbie 1990, p. Black & White Night 30 is a re-imagined, re-edited, remastered and expanded version of the original television special, available both as a CD/DVD set and as a CD/Blu-ray set on February 24. To a considerable extent, the mythology of rock and roll rebellion is predicated upon a similarly mythologised male sexual potency that Simon Frith and Angeld McRobbie have characterised as 'aggressive, dominating, and boastful. ![]()
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